在第二次世界大战期间，生活在瑞典是一种怎样的体验？当战事在咫尺之遥展开，人们又受到了怎样的影响？今年是二战结束80周年，瑞典电视台（SVT）邀请瑞典民众寄来他们的记忆，包括信件、影片、照片和日记。来自全国各地的回应多达数千件，这些最终汇聚成一部五集的纪录片，讲述瑞典与战争的故事。

在第二次世界大戰期間，生活在瑞典是什麼樣的感覺？當一切戰事就在近在咫尺地發生時，人們又是如何受到影響的？今年是二戰結束 80 週年，瑞典電視台（SVT）邀請瑞典民眾寄來他們的記憶：信件、影片、照片和日記。來自全國各地的回應多達數千件，最後匯聚成一部五集的紀錄片，講述關於瑞典與戰爭的故事。

故事发生在人的潜意识可以被察觉并投射到现实的世界，高中生梁炜芹常在梦中遇到一个神秘女人来杀他，有一天，梦中人来到了现实里。

For Aichi Triennale 2022, Weerasethakul collaborates with Japanese artists to create his first augmented and virtual reality performance and let visitors commune with invisible ghost-like presences, encounter sick and sleeping bodies, and experience time suspended in a circle. Weerasethakul, whose previous works have brought the invisible, inaudible and untouchable into our realm of the tangible, has greatly expanded the virtual space by making use of augmented and virtual reality. Fifteen audience members at a time are invited into a dark space to roam around, experiencing Weerasethakul’s visual poetry beyond the confines of language, soundscapes of silent waves by Sakamoto Ryuichi, and interactive particles of light floating through the air... They are invited into the depths of memory and existence in a dreamlike world where the origins of life and the afterlife coexist.

For Aichi Triennale 2022, Weerasethakul collaborates with Japanese artists to create his first augmented and virtual reality performance and let visitors commune with invisible ghost-like presences, encounter sick and sleeping bodies, and experience time suspended in a circle. Weerasethakul, whose previous works have brought the invisible, inaudible and untouchable into our realm of the tangible, has greatly expanded the virtual space by making use of augmented and virtual reality. Fifteen audience members at a time are invited into a dark space to roam around, experiencing Weerasethakul’s visual poetry beyond the confines of language, soundscapes of silent waves by Sakamoto Ryuichi, and interactive particles of light floating through the air... They are invited into the depths of memory and existence in a dreamlike world where the origins of life and the afterlife coexist.

My grandfather was Leo Hurwitz. If you don't know this name, it is understandable. Leo Hurwitz is recongnized as one of the founding fathers of the documentary genre. He along with his production company, called Frontier Films, made several very important films including Native Land, seen as one of the greatest documentaries of all time. His was to be a quite successful carear. This all came crashing to a halt, when his name was named by Elia Kazan. He was relegated to small low budget work, none of which ever gained noteriety, as we was forbidden to work on any major project. What makes this worse, is that, though my Grandfather had many socialist ideals, he was not a communist. He was a firm believer in democracy. His carear was ended because someone thought he was communist. Think about that, when you talk about this man.

对于每一个德国人来说，10月3日是一个值得纪念的日子，因为就在15年前的今天，在柏林帝国议会大厦之前，伴随着联邦德国的国歌声，徐徐升起了黑、红、黄三色的联邦德国国旗，这个仪式向全世界正式宣布在经历了长达45年的分裂之后，德国终于实现了统一，这一天，又被人们称为是德国的国庆日。但是近年来，越来越多的人开始对此提出异议，他们认为应该把11月9日作为国庆日，因为这一天是柏林墙倒塌的日子，作为东西德分裂的重要象征，这堵长度超过155公里，共有十五层防线的高墙，像一幅巨大的“铁幕”在长达28年得时间里，把统一的德意志民族分成了两个世界，因此人们认为柏林墙的拆除对德国的统一有着更为重要的意义。在另一方面，柏林墙又是东西方两大阵营意识形态斗争的代表，随着它的拆除，包括东德在内的东欧社会主义阵营，开始全面瓦解，一个新的时代，在整个世界的面前徐徐展开

对于每一个德国人来说，10月3日是一个值得纪念的日子，因为就在15年前的今天，在柏林帝国议会大厦之前，伴随着联邦德国的国歌声，徐徐升起了黑、红、黄三色的联邦德国国旗，这个仪式向全世界正式宣布在经历了长达45年的分裂之后，德国终于实现了统一，这一天，又被人们称为是德国的国庆日。但是近年来，越来越多的人开始对此提出异议，他们认为应该把11月9日作为国庆日，因为这一天是柏林墙倒塌的日子，作为东西德分裂的重要象征，这堵长度超过155公里，共有十五层防线的高墙，像一幅巨大的“铁幕”在长达28年得时间里，把统一的德意志民族分成了两个世界，因此人们认为柏林墙的拆除对德国的统一有着更为重要的意义。在另一方面，柏林墙又是东西方两大阵营意识形态斗争的代表，随着它的拆除，包括东德在内的东欧社会主义阵营，开始全面瓦解，一个新的时代，在整个世界的面前徐徐展开